<img width="2286" height="456" alt="Photograph" decoding="async" data-srcset="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png 2286w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1200x239.png 1200w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1800x359.png 1800w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-768x153.png 768w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1536x306.png 1536w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-2048x409.png 2048w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1980x395.png 1980w" data-src="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png" data-sizes="(max-width: 2286px) 100vw, 2286px" class="custom-logo lazyload" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" /><noscript><img width="2286" height="456" alt="Photograph" decoding="async" data-srcset="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png 2286w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1200x239.png 1200w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1800x359.png 1800w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-768x153.png 768w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1536x306.png 1536w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-2048x409.png 2048w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1980x395.png 1980w" data-src="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png" data-sizes="(max-width: 2286px) 100vw, 2286px" class="custom-logo lazyload" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" /><noscript><img width="2286" height="456" src="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png" class="custom-logo" alt="Photograph" decoding="async" srcset="https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive.png 2286w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1200x239.png 1200w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1800x359.png 1800w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-768x153.png 768w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1536x306.png 1536w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-2048x409.png 2048w, https://photographmag.com/wp-content/uploads/2022/08/photograph_logo_transp-BG_positive-1980x395.png 1980w" sizes="(max-width: 2286px) 100vw, 2286px" />

Don Worth, Water Drops, San Francisco, 1960. Courtesy Scott Nichols Gallery

March – April 2019

Volume 16 Number 4

Zanele Muholi and the Women’s Mobile Museum

BY Jean Dykstra, March 3, 2019

At this point in her career, the barriers faced by South African photographer Zanele Muholi – barriers preventing her from speaking her truth and taking control of her own image – would seem to have been dispatched, conquered by the force of her powerful photographs and stunning, theatrical self-portraits.

Paolo Roversi: Doubts at Pace/MacGill Gallery

BY Eric Miles, April 9, 2019

Odette England

BY Mark Alice Durant, March 26, 2019

John Lehr

BY Jean Dykstra, March 19, 2019

Bettina von Zwehl: Meditations in an Emergency at the New-York Historical Society

BY Stephanie Cash, March 12, 2019

Wen-Han Chang: Strange World at the Griffin Museum of Photography at the Greater Boston Stage Company

BY Lyle Rexer, March 5, 2019

Dawoud Bey

BY Dawoud Bey, March 4, 2019

Tod Papageorge, Evelyn Hofer, Eamon Doyle, Sunil Gupta

BY Vince Aletti, March 3, 2019

Alec Soth

BY Lyle Rexer, March 3, 2019

Douglas Marshall

BY Sarah Schmerler, March 3, 2019

Anne Havinga

BY Jean Dykstra, March 3, 2019

Bastienne Schmidt

BY Elisabeth Biondi, March 3, 2019

Chris Dorley-Brown: The Corners at Robert Koch Gallery

BY Doreen Schmid, February 26, 2019

Pentti Sammallahti’s Birds at Nailya Alexander Gallery

BY David Rosenberg, February 19, 2019

Gerald Slota: After at Ricco/Maresca Gallery

BY Jean Dykstra, February 11, 2019

Matt Eich: Sin & Salvation in Baptist Town at jdc Fine Art

BY Leah Ollman, February 4, 2019

Publisher: Anthony Beale
Editor: Jean Dykstra
Art Director: Fabio Cutró
Communications Manager: Giada De Agostinis
Founding Editor: Ava C. Swartz
Founding Publisher: Bill Mindlin

Founded in 1988, photograph is a digital magazine covering photography in all of its forms. photograph delivers smart and thoughtful criticism by respected writers as well as coverage of exhibitions, events, and news.

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