Kristine Potter: Dark Waters
A female perspective threads its way through Potter’s photographs, drawn from the tradition of Murder Ballads, in which women are invariably the victims.
A female perspective threads its way through Potter’s photographs, drawn from the tradition of Murder Ballads, in which women are invariably the victims.
New Books by Justine Kurland, Rahim Fortune, and Huw Lewis-Jones
On the road with her young son, Kurland negotiates motherhood and the history of the railroad in This Train; Fortune wends his way through the Black South in Hardtack; and Lewis-Jones offers astonishing images of animals of all sorts in Why We Photograph Animals.
On the road with her young son, Kurland negotiates motherhood and the history of the railroad in This Train; Fortune wends his way through the Black South in Hardtack; and Lewis-Jones offers astonishing images of animals of all sorts in Why We Photograph Animals.
James Casebere’s Constructed Realities
A deep interest in sculpture and architecture informs Casebere’s conceptual photographs.
A deep interest in sculpture and architecture informs Casebere’s conceptual photographs.
Amy Arbus
Thomas Struth
Lisa Oppenheim: At the Lace Shop and Other Light Drawings | Tanya Bonakdar Gallery, Los Angeles
Anselm Kiefer: Punctum | Gagosian, New York City
Amy Elkins: Parting Words | Field Projects, New York City
Irving Penn | de Young Museum, San Francisco
Peter Hujar: Portraits in Life and Death | Istituto Santa Maria della Pietà , Venice, Italy
Antony Cairns: PXL CTY | Sous Les Etoiles Gallery, New York City
Publisher: Anthony Beale
Editor: Jean Dykstra
Art Director: Fabio Cutró
Founding Publisher: Bill Mindlin
Founded in 1988, photograph is a digital magazine covering photography in all of its forms. photograph delivers smart and thoughtful criticism by respected writers as well as coverage of exhibitions, events, and news.