LOCATIONS FILTERS

Karel Fonteyne: After Dark

June 18 - September 5

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Karel Fonteyne: After Dark

June 18 - September 5

Karel Fonteyne is an isolated case.

We call these artists in the art world Einzelgänger or sometimes Abseitigen.

He is indeed an Abseitige. A lonesome and always searching finder.

He’s not the maker of the ‘nice’ picture—no, time stands still in his work.

The deep secret of what I could almost call random mastery lies in its self-explored loneliness, in the air at the discovering of all the forms of loneliness.

He lives and works in a world that only he inhabits.

He feels safe when he dreams.

It’s a cold world full of dilapidation, they are rooms where he plays on a small stage.

A macabre game with people and things,

full of puzzles and secrets.

He alone holds the key to the lock of alienation and contemporary anxiety.

His world is not an underworld but an in-between world, where life and death static live together on the border of the non-existence.

In Karel’s work a reality is created in the reality, a kind of infrarealism, a screaming silence enveloped by invisible glass, a fragility without violence, a dream which content you have already long forgotten.

He photographs the life you’ve already left. The things that are no longer visible.

His work testifies of a surreptitious towing beauty.

― Paul Snoek – Poet & Painter, 1976

“What I was chasing in circles must have been the tail of the darkness inside me.”

―Haruki Murakami, After the Quake

“A man must dream a long time in order to act with grandeur, and dreaming is nursed in darkness,”

― Jean Genet

“One need not be a chamber to be haunted.”

― Emily Dickinson,The Complete Poems of Emily Dickinson

“How terrible this darkness was, how bewildering, and yet mysteriously beautiful!”

― Stefan Zweig,The Burning Secret and other stories

“We must bring

our own light

to the

darkness.”

― Charles Bukowski

“POZZO:

I am blind.

(Silence.)

ESTRAGON:

Perhaps he can see into the future.”

― Samuel Beckett,Waiting for Godot

“I was alone again in the unquiet darkness.”

― F. Scott Fitzgerald,The Great Gatsby

“Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock ‘n’ roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights.”

― Haruki Murakami, Dance Dance Dance

“The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don’t you agree? Two-thirds of earth’s surface is ocean, and all we can see with the naked eye is the surface: the skin.”

― Haruki Murakami,The Wind-Up Bird Chronicle




Bruno V. Roels: Sensory Memory

June 25 - October 31

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Bruno V. Roels: Sensory Memory

June 25 - October 31

Bruno V. Roels’ new edition for Gallery FIFTY ONE is called ‘Sensory Memory’.

The title refers to the memory process that allows individuals to retain impressions of sensory information after the original stimulus has ceased. The title is also a nod to the way the prints were made: the photographic paper was moved during exposure in the dark room, so instead of a photograph of one palm tree, the image becomes a multiple of that same image.

All prints in the edition are different and some have been touched with ink. This edition fits perfectly in Roels’ oeuvre: it touches on the nature of the analogue photographic process, playing with repetition and variation, while using his favorite imagery: palm trees.




Lucien Clergue, Harry Gruyaert, Bill Brandt, E.J. BELLOCQ, Lee Friedlander, Eric Groebli, Frank Horvat, Stephan Vanfleteren, Albert Watson, Eikoh Hosoe, Kikuji Kawada, Arnold Newman, Edward Weston, Gjon Mili, Masao Yamamoto, André Kertész, Saul Leiter, Jacques Henri Lartigue, Irving Penn: Nudes: F >< M

July 4 - September 4

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Lucien Clergue, Harry Gruyaert, Bill Brandt, E.J. BELLOCQ, Lee Friedlander, Eric Groebli, Frank Horvat, Stephan Vanfleteren, Albert Watson, Eikoh Hosoe, Kikuji Kawada, Arnold Newman, Edward Weston, Gjon Mili, Masao Yamamoto, André Kertész, Saul Leiter, Jacques Henri Lartigue, Irving Penn: Nudes: F >< M

July 4 - September 4

For this exhibition, 28 Vignon Street brings together 20 nude images from master photographers of various backgrounds and times. Some images may surprise the viewer because the author is less known for his nude photography. It is interesting to see the way in which artists like Harry Gruyaert, Louis Stettner or Arnold Newman – famous for their use of colour, street photography or carefully composed portraiture and still life photography – apply their typical style and method in their version of this classic motif from art history. From the classic artistic portrait, to the exploration of movement, forms, shapes and lines: this unique selection illustrates the endless opportunities that come to the surface when the pure human body gets the leading role.

For volume I (F >< M) only images from male photographers were selected. Volume II (M >< F, to be announced soon) will explore what happens when a woman takes place behind the lens.




Richard Avedon, Rena Bass Forman, Brassaï, Manuel Álvarez Bravo, Robert Capa, Horst P. Horst, Nadav Kander, André Kertész, O. Winston Link, Ralph Eugene Meatyard, Abelardo Morell, Ron Van Dongen.: Black & White: Photographs from the Julie Riegel and Suzette Clerou Collection

January 30 - August 29

1930 R St Bakersfield, CA +

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Richard Avedon, Rena Bass Forman, Brassaï, Manuel Álvarez Bravo, Robert Capa, Horst P. Horst, Nadav Kander, André Kertész, O. Winston Link, Ralph Eugene Meatyard, Abelardo Morell, Ron Van Dongen.: Black & White: Photographs from the Julie Riegel and Suzette Clerou Collection

January 30 - August 29

Black and white photography, also known as ‘monochrome’ photography, originated during the mid-nineteenth century and has pervaded to this day. A technology-based practice, photographers explore and exploit the levels of abstraction conveyed by reducing a scene to value and shape amidst advances within the field. Paralleled interest is blatant in aficionados, appreciators, and collectors who continue to be mesmerized by monochromatic imagery used to depict a multitude of genres and subjects. Black & White typifies the convergences of the photographer’s exploration and a collector’s passion.

Julie Riegel and Suzette Clerou have been collecting black and white photography since the 1970s. The twenty-five piece collection is an outstanding representation of significant photographic works created over the last 100 years.


Press Release

Bakersfield Museum of Art

1930 R St Bakersfield, CA 93301

661.323.7219

Open Tues-Fri 10-4, , Thur 10-8, Sat-Sun 12-4



Alison Wright: Grit and Grace, Women at Work

March 14 - October 12

10 Vernon St Brattleboro, VT +

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Alison Wright: Grit and Grace, Women at Work

March 14 - October 12

From India to Africa, tea fields to technology, women are the resilient hard-working backbones of their communities. These 30 images by photographer Alison Wright, a National Geographic Traveler of the Year, showcase the magnetic stories of remarkable women living in post-conflict or hard-to-reach areas in developing countries whose perseverance is often overlooked.

Wright’s vivid portraits illuminate a shared determination among women in Africa, Asia, Latin America, and the Middle East to create better futures through creativity, ingenuity, and drive. They celebrate the individuals and grassroots organizations committed to finding creative solutions to the challenges these women face, because empowering women benefits not only the individuals and their families, but their villages, their nations, and our world.

— Katherine Gass Stowe, Curator

This project is presented in partnership with The Vermont Women’s Fund.


Brattleboro Museum & Art Center

10 Vernon St Brattleboro, VT 05301

802.257.0124

info@brattleboromuseum.org

Open Wed-Mon 11-5


Noah Berger: Facing Fire

February 22 - August 9

3824 Main St Riverside, CA +

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Noah Berger: Facing Fire

February 22 - August 9

Fire as omen and elemental force, as metaphor and searing personal experience – these are the subjects explored by the artists of Facing Fire. California’s diverse ecologies are fire-prone, fire-adapted, even fire-exploded in scale and severity. There is a powerful consensus that we have entered a new era. The artists of Facing Fire bring us incendiary work from active fire lines and psychic burn zones. They face fire, sift its aftermath, and struggle with the implications.

Image: Noah Berger, Photographer Justin Sullivan shooting low during the Camp Fire, 2018. Courtesy of the artist.


California Museum of Photography at UCR ARTS

3824 Main St Riverside, CA 92501

951.827.4787

ucrarts@ucr.edu

Open Tue-Sat 12-5, Sun 11-4, Closed Monday


Gordon Parks: A Loaded Camera: Gordon Parks

May 13 - August 23

328 Lomita Drive Stanford, CA +

Charles "Teenie" Harris: In Sharp Focus: Charles “Teenie” Harris

January 25, 2020 - May 1, 2022

4400 Forbes Ave Pittsburgh, PA +

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Charles "Teenie" Harris: In Sharp Focus: Charles “Teenie” Harris

January 25, 2020 - May 1, 2022

CMOA is thrilled to announce the creation of a dedicated gallery for the Teenie Harris Archive. This space will feature iconic examples of Harris’s photographs and host a number of educational programs and community events inspired by this world-renowned collection.

Harris—who was a photographer for The Pittsburgh Courier, one of the nation’s most influential black newspapers—created an unparalleled chronicle of African American history and culture during the mid-twentieth century. As both a member and documentarian of the black community, Harris remains an iconic figure in Pittsburgh to this day. With this installation, the museum celebrates Harris’s legacy and looks forward to creating opportunities for creative collaboration with local partners. The installation opens January 25, 2020, and will be ongoing.

The Teenie Harris Gallery is organized by Dominique Luster, archivist, and Charlene Foggie-Barneett, archive specialist, Teenie Harris Archive.


Carnegie Museum of Art

4400 Forbes Ave Pittsburgh, PA 15213

412.622.3131

Open Mon, Wed-Sun 10-5

Summer Hours: Wed-Mon 10-5, Thur 10-8



An-My Lê: An-My Lê: On Contested Terrain

March 14 - July 26

4400 Forbes Ave Pittsburgh, PA +

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An-My Lê: An-My Lê: On Contested Terrain

March 14 - July 26

An-My Lê: On Contested Terrain is the first comprehensive survey of the politically charged work of photographer An-My Lê (American, born Vietnam, 1960). Featuring nearly 125 photographs, this exhibition finds connections across Lê’s career and provides insight into her evocative images that draw on a landscape tradition to address the complexity of war.

This expansive exhibition explores the intricacies of armed combat through the work of a photographer who lived through the Vietnam War. Through Lê’s lens, viewers are exposed to military training, maneuvers, and reenactments, and are invited to question their own relationship to, and complicity in, conflict.

An-My Lê: On Contested Terrain also presents new photographs from Lê’s ongoing series Silent General. These previously unexhibited works grapple with the legacy of America’s Civil War and connect to the complexities of our current socio-political moment. Taking inspiration from Walt Whitman’s autobiographical Specimen Days, the photographs probe the ways in which past conflicts influence and shape the present landscape.

While Lê is represented in many major museum collections, An-My Lê: On Contested Terrain is the first ever survey of her work in an American museum. The exhibition will be accompanied by a fully-illustrated catalogue featuring many never-before-published images.

An-My Lê: On Contested Terrain is organized by Dan Leers, curator of photography at Carnegie Museum of Art.


Carnegie Museum of Art

4400 Forbes Ave Pittsburgh, PA 15213

412.622.3131

Open Mon, Wed-Sun 10-5

Summer Hours: Wed-Mon 10-5, Thur 10-8



Lori Van Houten: Natural Worlds

June 10 - July 26

622 Warren St Hudson, NY +

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Lori Van Houten: Natural Worlds

June 10 - July 26

Lori Van Houten will present a new series of multi-panel photographic works, entitled Raptors and Songbirds, which is inspired by the long tradition of storytelling as a means of understanding human experience. She explores the concept of fairytales and how they use the divine or supernatural to teach valuable life lessons to young women in particular. Romantic images constructed into triptychs form visual narratives that shed light on the way these tales are told; graceful swans, dimly lit chandeliers, or the delicate folds of a silk dress seduce the audience while symbolic details of flora and fauna act as cautionary messengers. The compositions are made with photographs shot with modified Polaroid cameras, allowing the artist to record motion, alter color, and provide a slightly skewed vision. This fragmented juxtaposition of dream-like images implies a story that is told over time. Van Houten explains “my goal is not to tell a complete tale but to suggest phrases of sentences overheard in passing.”

Van Houten added a three-dimensional aspect to the photographic triptychs with a series of unglazed porcelain crowns, intended for the young women listening to or featured in the fictional narratives. The delicate porcelain crowns, made with textiles and other mixed materials, are preserved in glass domes, further alluding to their fantastical aura. Van Houten’s BA is from Syracuse University and MFA from Southern Illinois University. She has exhibited extensively throughout the US and Europe.


Press Release

Carrie Haddad Gallery

622 Warren St Hudson, NY 12534

518.828.1915

carrie.haddad@carriehaddadgallery.com

Open daily 11-5


Kate Breakey: Kate Breakey: Avian

June 20 - September 6

2635 Colquitt St Houston, TX +

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Kate Breakey: Kate Breakey: Avian

June 20 - September 6

Catherine Couturier Gallery is delighted to present Avian, an exhibition of new work by gallery artist Kate Breakey.

The exhibition features new work from Kate Breakey’s series of 42 bird nests printed on silk and embroidered. In Safe in the Studio, Breakey shares her interest in bird nests: “Perhaps it is because they are mysterious, secret spaces that allow you to have a personal connection with a wild bird and I crave that relationship with nature”. Each piece, like the nests they are inspired by, is unique, delicate, and beautiful.

The exhibition also features Breakey’s new hand colored pigment prints of birds inspired by scientific drawings from 18th and 19th century natural history encyclopedias and smaller, more intimate quail eggs.

Since 1980 Breakey’s work has appeared in more than 110 one-person exhibitions and in over 60 group exhibitions. A native of South Australia, Kate moved to Austin, Texas in 1988. She completed a Master of Fine Art degree at the University of Texas in 1991 where she also taught photography in the Department of Art and Art History until 1997. Her collections include the Houston Museum of Fine Arts, the Center for Creative Photography, Tucson, The Australian National Gallery and the San Diego Museum of Photographic Arts, as well as various private collections. She has resided in the Tucson, Arizona for 20 years. She regularly teaches workshops nationally and internationally.

Unlike previous exhibitions, there will be no public reception, and private viewings must be booked in advance. Please email us at gallery@catherinecouturier.com to reserve a time to visit the exhibition.


Press Release

Catherine Couturier Gallery

2635 Colquitt St Houston, TX 77098

713.524.5070

gallery@catherinecouturier.com

Open Tues-Sat 10-5


Michael Koerner: Hibakusha: A tribute to the 75th anniversary of the atomic bombings

July 10 - September 4

1637 West Chicago Avenue, Chicago, IL, USA +

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Michael Koerner: Hibakusha: A tribute to the 75th anniversary of the atomic bombings

July 10 - September 4

Catherine Edelman Gallery is excited to open its doors with Michael Koerner: “Hibakusha: A tribute to the 75th anniversary of the atomic bombings.” The show opens July 10 and runs through September 4, 2020. To avoid crowds, the opening reception will be from noon – 7:00 pm on Friday, July 10.

On August 6, 1945, the United States dropped an atomic bomb on Hiroshima, and another one three days later on Nagasaki, killing tens of thousands instantly, and more than 200,000 people in total. Michael Koerner was born in Okinawa, Japan in 1963, the son of a Japanese mother and American military father. For the past few years, Koerner has been making one-of-a-kind tintypes about his family and the effects of gamma radiation that has taken the lives of all members of his immediate family. In honor of the anniversary of the bombing, Koerner created Hibakusha, a photographic series that pays respect to those that passed away and those that survived. Hibakusha is a Japanese word that refers to people affected by the nuclear bombings. As Koerner states:

“I wanted to bring attention to those that survived the blast, including my mother, who unfortunately later succumbed to the effects of radiation released on the Japanese people. I decided to make large tintypes that look like families, or people. All the plates are purposely void of color, except silver, which is intrinsic to the tintype process. By eliminating the blue and green hues that are prominent in my recent work, the images take on a haunting glow, reminiscent of the light that appeared in the skies over Hiroshima and Nagasaki. I hope viewers will look at these images and reflect on what happened so many years ago and honor those that survived and perished from this nuclear disaster.”

Michael Koerner’s exhibition will be in our lower level video room, creating an intimate environment for the viewer. Only one person at a time will be allowed in the room, due to pyhsical distancing standards.


Catherine Edelman Gallery

1637 West Chicago Avenue, Chicago, IL, USA

312.266.2350

info@edelmangallery.com

Open Tues-Sat 10-5:30