Sarah Schmerler speaks to the director of Galerie XII’s Los Angeles venue, Douglas Marshall, about growing up in Texas, working in Austin, and making the move to LA, where he organized some 50 shows and art fair for the Fetterman Gallery before taking on his role at Galerie XII. “I’m that person who connects the dots, who makes an idea come to life,” he says.
Isaac Julien's Pictures and Progress
Reinterpreting and expanding the conventions of film and photography, Isaac Julien examines the marred history of race relations in the U.S. through the life of Frederick Douglass.
Albarrán Cabrera | Marshall Gallery, Santa Monica, CA
Whatever else a photograph shows or does, it also ...
Krista Svalbonas: What Remains | Marshall Gallery, Santa Monica, CA
Photographs are starting points for Krista Svalbon...
Stan Douglas: DCTs and Scenes from the Blackout at David Zwirner
[caption id="attachment_38011" align="alignnone" w...
Bryan Schutmaat: River Sun | Marshall Gallery
A photographer with a contemporary take on the American West prompts viewers to reflect on the tensions that define our relationship to the land.
Free as They Want to Be: Artists Committed to Memory | National Underground Railroad Freedom Center, Cincinnati
Part of the 2022 FotoFocus Biennial in Cincinnati, the exhibition is inspired by archival materials, including vernacular photographs of Black Americans and formal portraits of Frederick Douglass.
American Cool
[caption id="attachment_3564" align="alignnone" wi...
November – December 2010 About The Cover
We live and dream between the quotation marks of c...
Before/On/After: William Wegman and California Conceptualism at the Metropolitan Museum of Art
[caption id="attachment_36430" align="alignnone" w...
Man Ray, Bruce Davidson, Neil Leifer, Nick Waplington
Despite the promise of more pithy provocations lik...
Best of 2016
Formed in 1963 by 11 photographers who recognized the necessity of “a forum to address the underrepresentation of African Americans in their field,” the Kamoinge Workshop gave its members a sense of solidarity and support in a period when black Americans were the frequent subject of mainstream media coverage but rarely its author.
Sheila Pree Bright
Georgia-based photographer Sheila Pree Bright’s la...