Meghann Riepenhoff, Littoral Drift #1054 (Tower Beach, Hilton Head, SC 05.02.18, Five Waves), 2017 (detail). Copyright of the artist and courtesy of Yossi Milo Gallery, New York and Jackson Fine Art, Atlanta. Meghann Riepenhoff: Imprint is on view at Jackson Fine Art September 28 – December 22.
Best of 2016
Formed in 1963 by 11 photographers who recognized the necessity of “a forum to address the underrepresentation of African Americans in their field,” the Kamoinge Workshop gave its members a sense of solidarity and support in a period when black Americans were the frequent subject of mainstream media coverage but rarely its author.
September – October 2008 About The Cover
For an artist with a photojournalist’s sense of th...
September – October 2019 About The Cover
Our cover image by Laura Letinsky – Untitled #2, T...
September – October 2007 About The Cover
Perhaps the greatest platitude in the modern world...
September – October 2010 About The Cover
What if William Blake had had a camera? What if, i...
September – October 2006 About The Cover
Think about how the world has changed since the fi...
Wardell Milan
It could be argued that collage and photomontage a...
Yasumasa Morimura's All-Star Cast of Artists across History
For Yasumasa Morimura’s first full-length video, E...
A Sprawling Personal Project from Jim Goldberg and Two Retrospectives
Goldberg’s Coming and Going is an autobiography in images and ephemera, and two recent books survey the work of Lee Miller and Daido Moriyama.
Sarah Anne Johnson: Rosy-Fingered Dawn at Julie Saul Gallery
In her latest body of work, on view at Julie Saul ...
Stutter Shutter: Whitney Hubbs at Casemore Kirkeby
Satin sheets can look sexier in pictures than they...
Deana Lawson's Intimate Fictions
In Deana Lawson’s 2017 photograph Nikki’s Kitchen, a woman kneels on an old wooden chair, hand under chin, staring at the camera with some defiance.